He felt the art was bland, and while the overall game was solid, it did not break the mold of the typical licensed platformer. Disney Producer Patrick Gilmore had seen both the SNES and Genesis versions of Aladdin and was not happy with the progress Sega was making. We all loved the movie, which is why Mark and I were excited to do the game.”Įven with the high morale at BlueSky and the hard work being done, the project quickly began to lose the race against Capcom. “I remember that every day when I went into the office, (BlueSky producer) Mark Dobratz would fire up the soundtrack to Aladdin to get us in the spirit. Moon recalled the team being in high spirits during development, in spite of the amount of work they faced. Priority was given to the game over Aladdin (the development team was three times as large and included people also working on Aladdin), so progress on the Disney title was slow in coming.
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Sega had the license to the franchise and was eager to get a title onto store shelves. The team was hard at work on Jurassic Park, which was almost guaranteed to be a merchandising juggernaut. The problem came from the fact that Aladdin was not BlueSky’s primary project. Sega had the Aladdin license for both the Genesis and Game Gear, and its game was to directly compete with Capcom’s SNES version, yet despite the efforts of the experienced BlueSky staff, things were not looking well.
Similarly, Capcom had a stellar history with Disney licenses on Nintendo consoles, specifically during its terrific run on the NES with such favorites as Ducktales and Chip ‘n Dale Rescue Rangers. Both companies easily won the rights to the latest animated feature film, and given its history of quality releases, Disney had no reason to think that Sega wouldn’t produce another hit. Hits such as Quackshot and Castle of Illusion on the Genesis, as well as several quality conversions on the Master System and Game Gear, had convinced Disney that the company could be trusted to create quality games with its licenses.
The two creative powerhouses had a history that went back several years, and their working relationship was quite solid. Sega had won the Aladdin license due to its great track record with Disney properties on the Genesis. I was impressed that BlueSky was able to capture such clients such as Disney and Spielberg, and being new to the company and the industry, I wanted to do well and establish myself as a person worthy of the team.” “I do remember feeling a lot of pressure to do well on the Aladdin game, but that was more of a personal thing. Former BlueSky Artist Tom Moon explained to Sega-16 what it was like to be involved with such a high profile project, especially after coming off of The Little Mermaid, another licensed Disney title. The film was already in theaters, and Sega’s title needed to quickly capitalize on its growing popularity. Under Sega’s license with Disney titles, Aladdin was in quiet development under a team of around eight people.
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Genesis gamers are quick to recall the Virgin Games release of Aladdin whenever the name arises in conversation, but few people know that the game actually began life at Sega as a BlueSky Software project. It showed that they could recreate the cinematic experience in ways that no one believed was possible. However, one towers above them all, given the amazing circumstances of its development and the incredible combination of talent that came together to make it a reality.Ĭhanging developers and invoking the direct involvement of Disney’s top animators, Aladdin proved to the world that video games were capable of going beyond being fun. Even fewer set the bar so far above the competition that they become a clear and irrefutable example of the true power of a gaming console. Those games that are remembered for their contribution to the industry as well as for the great experiences they provided are the ones that will endure in the minds of gamers of all ages.Īmong the many great games in the Genesis library, there are a small number of titles that fit that specific description. Great games can be considered classics, to be sure, but it’s mostly those particular titles that redefine their genres or the game creation process as a whole that are most deserving of the title. After all, a great game is forever associated with a particular time and place in many gamers’ lives, and as time goes by and they get older, they tend to tighten their grips on those precious memories. The term tends to get tossed around rather indiscriminately, with nostalgia often serving as the primary factor for many. People often have distinctive opinions about what constitutes a true gaming classic.
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